Wie bei fast allen originaren Kunstlern
spaltet Mikhail Pletnev die Kritikerzunft: Die einen bewundern seine hochindividuellen
Interpretationen, die anderen lehnen ihn als radikal-manierirten Musiker
ab.
“The Daily Express” has published the following review on the “Matsuev.
Liszt” album: “The melodic structure and beauty of Liszt’s
approach to piano composition is so impressive in these fluent recordings of
his piano concertos 1 and 2. The brilliant Russian pianist
Denis Matsuev explores the exquisite twists and turns of the works with an
often enthralling fluency”.
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“This impressive
double CD of Liszt concertos, plus his Orpheus and Heroide, is an all-Russian
effort. Matsuev’s pianism has heroic force and highly calibrated control; Pletnev,
who is a magnificent pianist in his own right, shows off the excellence of his
orchestra he founded an 1990”
– wrote the newspaper.
"The Fruits of Herculean Labours" is the name of the review on Denis Matsuev's recital in Munich on December, 19, 2011. Here you can read it in German and in English. Read more...
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Of
course, it’s not Denis Matsuev who is unbeatable, but Masutatsu Oyama,
one of the founding fathers of karate, who was known to have killed
full-size bulls with a single blow. The Siberian pianist, however,
sometimes gives the impression that he’d rather kick his piano, chew off
the lid prop and throw the pieces into the audience. And he would carry
on playing, of course, keeping the piano keys for himself. Denis
Matsuev is a great entertainer.
Dazzling
– this might be the right word to describe Denis Matsuev’s achievement.
Listening to the encores was almost intimidating: I had a feeling that
the piano may get engulfed in flames at any moment, with Mephisto
emerging from it, commanding the artist to stop: “Your contract is up;
it’s time for you to come with me”!
The
coat of arms of Denis Matsuev’s native Irkutsk features what looks like
a lynx, carrying a blood-soaked prey in its mouth. At first glance it
symbolises the raw strength of the eternal winner and actually the lynx
could be Matsuev himself. You don’t see a burlier, more athletic pianist
on stage and our observation is not even overshadowed by his noticeably
expanding waistline, compared to last April. Surpassing his mesmerising
previous performances, he tried to do the impossible in his forth
concert at the Palace of Arts, but it is unimaginable that he can top
what he has achieved so far in his future career, which is just as long
as his past.
D?sseldorf. How beautiful, that theorganizers from theKlavier-Festival Ruhr continuously more often reserve forthe highlights oftheir concert series thevenues ofD?sseldorf. Withthe1975 inIrkutsk born pianist Denis Matsuev inany case areal phenomenon leaped onto thepodium oftheRobert-Schumann Hall. Liszt’s “Mephisto”-Walz, Horowitz’ “Carmen”-Variations, Stravinsky’s “Petruchka”, no“warhorse” issafe from this man.
December, 15 Denis Matsuev gave a press conference in the Chamber hall of the Moscow Philharmonic concerning the release of his new album “Matsuev. Liszt”. The album is dated to the famous Hungarian pianist and composer Franz Liszt’s 200th anniversary and consists of 2 CDs that include some of the most interesting compositions by Liszt: Piano concerto no.1 and no.2, “Totentanz” and the symphonic poems “Orpheus” and “Heroic elegy”. Read more...
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